Instagram Flash Sale!
Happy Friday folks!
If you didn't already know, for the entire holiday weekend I'll be running a little Instagram Flash Sale on my 'MicroAdventures' painting series. These are roughly 3 x 5 inches (some are a bit larger, some a bit smaller) abstract watercolors on velvety toned paper.
To snag one for yourself (at the flash sale cost) head over to my Instagram, and tap on the post with the MicroAdventures. Comment with "SOLD" and the # of the painting(s) you'd like to purchase. I'll send you a DM after Monday (5/30) with an invoice for the piece and WHAMBAM! Affordable original art.
Example:
@artbuyer: SOLD #8
For the flash sale, the price will be $25 per piece (+shipping). After Monday, the remaining pieces will be $50 and listed here on my site.
Hope everyone has a lovely Memorial Day weekend!
Painting Osorno
One of my favorite memories from our trip to Chile in January was venturing up the active (though resting) volcano Osorno. We took a chairlift from the base and then hiked to the highest spot you can reach without climbing gear.
I was awed by the contrast of the red and black pumice against the lazily lifting clouds, and the deep ruddy browns that bled out of the blindingly white snow at the peak. It was heartbreakingly beautiful. Being summer, the melting snow was dyed with the colors of the earth, and trickled down the slopes in sloshes of dirty runoff.
It was up here, as I stood overwhelmed with the beauty of the land - that I also learned I have a relatively overpowering fear of landslides. As the snow melted, it cleaved and cracked over the wet earth and started a few small pebbles rolling down the face of the volcano. Which of course I immediately imagined would turn into a raging pyroclastic landslide. After taking a bunch of hasty photos at the crest, my voice can be heard in Dan's video whispering forcefully and laden with fear, like something out of a B movie... "We need to get off the volcano. Now."
Now it's a funny story -- but then the fear was real, (Rather silly I admit, but still real) which is why I think this particular expedition stands out above the others. As such, I had been wanting to do a painting from that experience (though focusing on the abstract beauty of the place, and less on my irrational fear...) and made a bit of time last weekend to organize my sketches and photos from that day.
I selected a freshly primed linen canvas (follow me on snapchat to see how I make them : LemonSherman) and tried to get into the headspace I remembered from our journey up the slope.
I was able to wrap up work on this yesterday, and am now just waiting for the sun to come back out to seal the piece.
Hope everyone has a fantastic week!
Journaling and Art
For as long as I've been making art, I've also kept journals.
These written snapshots have evolved from the gilded pages of my 4th grade diary; filled with scrawly notes on lunchroom drama, to the wirebound journals from college; mostly schedules, lists and to dos, to my current books; noting ideas for new paintings and chronicling our adventures around the globe.
I never regarded the practice of keeping a journal as anything terribly important, it was just something I did. However, as I have found myself looking back through my substantial collection (seriously, I use these babies as a night stand now... there's too many to fit in the bookshelf!) I noticed some really interesting trends that never occurred to me as I wrote.
My journals generally predicted the course of my art.
And that was pretty cool, also more than a little weird. I'd write bits of interesting research, scribble bits from books or games that inspired me, and then weeks later these would turn up in my work. I never made the connection.
My journals served as better artists statements than my actual statement.
Granted, they were much longer - but every time I explained (essentially to myself) what I was making and why, those few paragraphs distilled my thoughts and intent far better than the vetted statement I was using at the time. Looking through my previous entries has given me the vocabulary I was searching for when it comes to writing the statement.
Being able to harness that connection with the written self and having a text record from which to glean some truly personal inspiration has been an indispensable resource for my work.
Why should YOU keep a journal?
If you are anything like me, it puts you in a different mindset when it comes to creating. Words take the place of paint, and it becomes an exercise for an entirely different part of my consciousness.
As I wrote above, patterns and inspiration can be uncovered from previous passages... it can be a treasure trove when an artist is in a rut.
Artist. Statement. (see above)
When it comes to travel journalling, I love that I can go back to my books from those trips and re-read the scents, the smells, the adventure. It is like a portal through time.
It's fun. Also reading into years prior can be a very humbling experience... certain passages are just so cringe-y. (I'm looking at you 6th grade Ellen....) It's great.
Tips on Keeping a Journal
I know, I know, its so easy to talk about journalling - but committing to keeping one is an entirely different monster. I go through periods where I just don't want to write - and I think that's fine. It only works for me if it's not forced, when I've got something I want to say. But will make use of a few jump starts if I feel like I'm getting too far behind. Maybe some of these might help if you feel you want to start, but don't know how.
Set a time to write. 10 mins in the morning, 10 mins at night. I'll write about the day ahead, or funny dreams in the morning, and then sum everything up at night, or write about the day to come.
Carry your journal with you. Here in Miami, traffic will occasionally come to a dead stop on the highways. I've sat with my car off for 2 hours (once for 3!) just waiting for an accident to clear. No better time to whip out my little book and scribble away.
Use prompts. The internet is a gold-mine for all sorts of writing prompts, ranging from the thought-provoking and introspective to the absurd and silly, and everywhere in between.
Write out the lyrics to your favorite songs. I use this a lot if I feel particularly drawn to a song, and I generally include notes about what has hooked me so. (Lyrics, the singer's voice, the drums...etc)
Tape in things. If I want to just use up a few pages, or I've got some bits of paper I want to keep (ticket stubs, paint chips, palettes I want to play with) I'll devote a few pages just to my trusty glossy tape and create a sort of 'in-journal mood board'. These are great when traveling too. (Just don't accidentally tape your immigration papers in when you get past a checkpoint. I thought it was just a receipt!!!!)
What about you? Have any journalling tips to share? Leave a comment below!
Sign up for the email list!
I've been sending out little email updates with new work and show information for the last few months, but just to a few interested parties and gallery friends. As that list has steadily grown, I've decided to open up that list to the public!
Sign up below to be in the loop for news, show info as well as a monthly drawing to win one of my original paintings!
Have a great weekend friends!
#artistonvacation -- My Travel Supplies
I've been receiving some great questions via Instagram (@ellen_the_lemon) about the travel art supplies I've been using as I explore and paint Chile. In an effort to be helpful, I thought I would put together a post with some info on the items I tend to use the most.
Everything in my Bag:
1.) Watercolor sketchbook (moleskine)
2.) Watercolor Marker (Winsor and Newton)
4.) Waterbrushes (Niji and Sakura)
5.) Ballpoint pen
6.) Pen (Lamy)
7.) #2 mechanical pencils
I use two waterbrushes for most of my travel work; a thin tip from Sakura and a fat, flat from Niji. Since I'm working in such a small format in the sketchbook, these two sizes generally have me covered. If I have a little extra room in my bag, I might pack one of my Hake brushes, but usually not for international trips.
It's no secret - I'm in love with indigo pigments. So much so, that I bought a few watercolor markers in that color for my on-the-go indigo needs. The marker itself is vibrant and heavily saturated and stands alone as an inking tool excellently. Add a little water with the brushes, and it flows into a pool of pigment that I can push around however I see fit.
My Sakura Koi travel palette has been a staple for my last 5-ish international trips. I love the compact size of the kit, pop-up palette, little sponges and vibrancy of the paints. It fits in my bag easily, and unfolds quickly for whenever the mood to paint strikes. Which is fairly often :)
It took me quite a few trips to narrow down what I use and what I don't use, to eventually end up with a small bag that had me covered -- so keep in mind that building a travel art supply kit is exceptionally personal. It's all about what *you* want to grab first, what will allow *you* to make your work ... this is just what works best for me :)
I am always curious about what other people use to make their art on the go, so I put out the question to Instagram and got some very helpful responses. Head over to my instagram to check them out!
What about you? What are your staples in your travel kit?
PS. Travel Tip :: A lot of restaurants have paper menus. If kept clean, they make excellent protective barriers for painting in hotel rooms. The paper mats pictured here came from Bocanariz, a lovely little place in Santiago :)