EH Sherman 9/14/19 EH Sherman 9/14/19

Trying out the Derwent Inktense Blocks

(Not sponsored, just excited to try out new materials. This post does contain affiliate links, if you’re interested in trying out these blocks consider purchasing through the link. No extra cost to you, but Amazon sends me a few bucks!)

I’m hoping to plan a weekend getaway soon - we’ve all been cooped up in here for most of the summer and I am ready for a little adventure.

Of course, as with every adventure my supplies come along for the ride - but if we’re gone for just a few days I don’t think I want to bring EVERYTHING I usually do. I might just concentrate on making a few small sketches while away instead.

To this end I picked up these water-soluble ink blocks from Derwent and I’m excited to try them out. They are certainly packable, and if they are versatile enough I might bring these and no other paints.

EH SHerman testing Derwent Inktense Blocks

The block are really vibrant dry AND wet.

I’m really happy with hows these performed.

Really beautiful pigment when dry, and with water it’s easily blendable and layerable. Perfect for my purposes and exactly what I was looking for in a small set of travel paint/pigment.

We may not have the destination picked out yet, but at least I know what supplies I’m bringing along.

<3 <3

EH Sherman 9/4/19 EH Sherman 9/4/19

Paint tests on Fredrix Canvas METALLICS!

Whenever I try out a new surface I always dedicate one to absolute experimentation.

I use as many paints as I can in an attempt to learn the surface and see how it reacts to my materials. It’s always messy and usually not great looking at the end, but always fun.

This is the metallic gold canvas, from Fredrix Canvas. It’s a 13 oz poly/cotton canvas that has been triple primed with a universal metallic gesso (either in gold or pearl) and it’s GORGEOUS to behold.

I haven’t used too many pre-painted canvases before, so I definitely wanted to make sure and do an experimentation round first.

I didn’t have a plan when I started (the key is experimentation) so I just started mixing and putting down various layers. This first one is a heavily thinned acrylic (water + glazing medium) to see how the gold comes through a very light wash of pigment.

Layers 2 and 3; Golden Hi-Flow (unthinned)

After letting the blue dry I added two layers of Golden hi-flow paint without diluting either color. I’m loving how the sheen of the canvas comes through these first three layers.

Next up is a bit of water-soluble pastel. I added it with a relatively heavy hand as I wanted as much pigment as the crayon could muster.

After the water-soluble pastel dried, I wasn’t too excited with it. Just a bit too thick and really seemed to cancel out the metallic sheen. I made a note to stick to thinner paints going forward - I love the metallic hints through the layers so I definitely want to preserve those.

I added a few circles of tempera stick next (bottom right of the canvas) and was pleased with how smoothly they applied to the surface. Again though, just a bit too opaque - so I probably won’t use these heavily on a real painting, but good for small details and line work.

And finally I added a last layer of ever-so-slightly thinned florescent pink acrylic. I was curious how the bright color would interact with the metallic under the layers, and it’s definitely something I want to pursue further.

I’ve got a few ideas for sketches that I think would translate well to the gold surface, so I’m excited to move on to a little more serious work on these.

Have you tried a metallic canvas before? I’d love to see what you painted on these!

EH Sherman 8/10/19 EH Sherman 8/10/19

On giving up my off-site studio space...

(A copy/paste from instagram - but I felt it was written there exactly how I would write it here.)

I was going to retake this photo after Chewy moved his head, but I decided this is the perfect depiction of the caption I was going to write today. (It's a long one)

I gave up my studio space.

Not this space, this is my home - but I gave up my room in the beautiful decommissioned horse barn.

My reasons:

- I had to be honest with myself about my time, priorities and work flow and as much as I loved it, it wasn't working out.

- I work at odd times, sometimes in the wee hours of the morning, sometimes late at night and I just wasn't great at budgeting my time around the new space.

- I kept misplacing my supplies, I didn't want to keep two collections of the same paints, papers and canvases, so I'd forget and leave something behind. Rather than drive 15 mins to retrieve it, I'd work on something else, but that day's project would be pushed back by a day. Not earth-shattering, but I hate feeling unorganized.

- The pup. I've always had dog-shaped hole in my heart, now that it's filled - I love being able to work while he's napping, take breaks in the form of walks (instead of scrolling through the internet) and just be around him. With my husband also working from home, being able to paint, play with the dog, paint, talk with my husband, paint again is such a gift. I guess I grew a bit lonely working in the other space.

- Our house. We're in the midst of fixing things up, renovating, decorating, making it ours and I've signed myself up for a number of projects. Squeezing these in as I wait for paintings to dry has made for some decent progress.

So that's it, I'll be posting all my photos from here for the foreseeable future, puppy napping in the corner.

If you've made it all the way to the end, I commend you 🤣 Thanks for being a part of this 💙

EH Sherman 8/2/19 EH Sherman 8/2/19

Supplies for Sketching Outside

I love working outside. I try to get out in nature to sketch as often as I can (though with our new pup it’s been a little harder to get away recently! ) and I’ve been meaning to check out our local botanical gardens (Matthaei Botanical Gardens) so I thought I might head over there for an afternoon.

When I’m doing little day trips like this I try not to go overboard on bringing supplies and just keep it to what I can carry in one hand + backpack. Especially if I want to walk any trails; carting a lot of paint around can be sloshy, heavy and potentially very, very messy.

Here’s what I’m bringing today;

(Some links below are affiliate links, so if you purchase using that link there’s no additional cost to you, but a little comes back to me to help keep this blog going!)

Paper;

1.) 18 x 24 Strathmore Watercolor paper

2.) 9 x 12 Strathmore Watercolor paper

3.) 4 x 12 Watercolor sketchbook

4.) 9 x 12 Watercolor sketchbook

I bring multiple sizes of paper and sketchbooks so I can work quickly, moving from page to page as the previous one dries.

Tools;

1.) Lyra Watersoluble Graphite (9B)

2.) Catalyst rubber wedge

3.) Caran D’ache Watersoluble pastels

4.) Zen Art Black Tulip Watercolor Brushes (faux-squirrel)

5.) Empty water containers x2 (recycled from Sunbasket delivery)

On little outdoor adventures like this, I don’t bring any liquid paint. Just the watersoluble graphite and pastels, which apply dry and when water is added they become watercolor-esque.

Extras;

1.) Caftan throw (for sitting on, or shielding from sun)

2.) Sudio Earphones (bluetooth headphones for maximum concentration!)

I ADORE these earphones. I talk a bit more about them on my instagram story, but these have been a staple in my bag for the last few months. I always forget to plug in blue tooth headphones, resulting in dead batteries and no music. I’ve had to plug these in twice since getting them and they are still full battery. Small and super comfortable to wear, they go with me everywhere now. AND! If you want to try a pair for yourself, use code: ellenthelemon to get 15% off your order!

3.) Drawing Board.

Not-pictured;

1.) Sunscreen

2.) Waterbottle

Everything is coming with me - except the pup. The botanical gardens do not allow the doggos.

I walked for a bit before I found an area a little ways off the trail, with some shade (because I burn SO fast…) and some grass to lay out drying work.

I like to sit in the space for a few minutes first, take in the smells, sounds and try to connect with the moments I want to sketch. For today I mostly focused on the reflections in the water, the ripples made by passing turtles and the way the sunlight sparked along the edges of the pond.

EH Sherman Art Sketching Outside - Color Tests

First I made a few color swatches, mixing and matching the water-soluble pastels to align with the colors of the pond. A note here - try not to let the pastels be in full sun for long, they tend to get soft and can break easily. I usually pull out a few to work with, then put them back in their tin inside my bag, rotating through so none get too damaged by the heat.

I use my headphones outside to keep me focused, but I don’t play loud music. I love to hear the birds, the frogs in the water, the sound of the wind in the trees - but could do without the noise from the parking lot. When I’m working outside I play the same thing on repeat; just loud enough to direct my thoughts but quiet enough to still hear nature. Elder Scrolls IV: Oblivion (just the peaceful songs, I made a playlist without the fight tracks) is my old faithful.

I made a few more sketches, a few more contour studies and then packed up for the afternoon and headed home.

I wanted to make it over to the conservatory - but that will have to wait, it’s time to walk the pup <3

EH Sherman 6/14/19 EH Sherman 6/14/19

Opening Night at the Inn at Harbor Shores

I’m so excited to share that my solo show “Thoughts on Water” opened tonight at The Inn at Harbor Shores.

After many months of painting, sealing, writing, thinking and printing - I’m relieved and excited to finally be able to share the collection with everyone.